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Lullabies, Brahms and Heartbeats
By Patrice Cosier
"Sleep now peacefully and sweetly, look into dream's paradise"
Translated from Johannes Brahm's lullaby

     Peace and security are important for a baby’s first months and years. A wonderful tool  for achieving this objective is the practice of playing soothing music, especially lullabies.

     Also known as cradle songs or the French “berceuse”, lullabies are intended  to “lull” a child to sleep. Inherent in the quiet, lovely nature of the lullaby  is a tried and true formula. The human heartbeat at rest  equals 60 to 80 beats  per minute and occurs in a triplet pattern. Hence, lullabies are almost always in triple meter or in a compound meter such as 6/8.  Melodies and harmonies are simple and tempos are slow and restful, mimicking the resting heart rate.  

     Since scientific research on sleep and babies in the early nineteenth century is
somewhat sketchy, it is interesting to ponder how such composers as Johannes Brahms and Frederic Chopin learned about, or perhaps intuited, this relationship between musical meter and heart beat. Brahm’s lullaby, which fulfills  all of the above criteria and is one of the most famous of this genre, has been putting babies to sleep for over two hundred years.

     The compositions on “Good Night Lullabies”  fulfill this lullaby "criteria” and are a beautiful and soothing way to gently coax the little ones to sleep.

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